And it really went to an overhaul after we were finished filming. I went into it with Roland and we really hit it off. We had extras that were done up for hours in wax faces… just incredible art and talent that went into making that film.
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It was some of the most incredible sets I’d ever seen. But that was a real legit town that was built out of wax. And that whole town was built out in Australia for I don’t even know how much money. I don’t know what it consisted of, but we were really in it and doing it. Every stage and set, the walls were really pliable and melting and we had fire… we were really running through the muck. I gotta say, the budget and obviously that Joel Silver standard… it was so epic on so many levels.
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“I’m telling you, this movie was so rock star. There was no real other way to do it, without it looking silly. Just get the real glue.’ So we ended up really gluing my lips – not with crazy glue, but with something very similar. So it just wasn’t working and I finally said to the prop guys, ‘Just get the glue. I had to be strained and fighting for my life, but I had to somehow find a way to keep my mouth pried closed.
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And we couldn’t figure out how to do the lip gluing without making it look ridiculous. I just wanted to do a good job and not get fired. I was a huge fan before I got on the show, so to be a part of the show after the fact was just a thrill. “And then we made an Are You Afraid of the Dark? movie which was really cool too. Probably a lot of overtime for child actors. Probably working way more than we should’ve been. We were all laughing and having a great time.
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We were just as excited and obsessed with the stories we were about to tell. As actors we really felt like we were those society kids. And the fire itself was a little pyro thing that they could kind of raise and turn off, and on. And we just hunkered down in this studio that was made to look like a forest… it was all artificial. What we would do is, because we were in the intro and outro for all the stories, we were able to condense all the intros and outros into a two-week span. The idea of what’s out there.”Ī few years later, Elisha Cuthbert made her own mark on the horror genre…
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But it also kind of sparked this curiosity with the whole sci-fi world. And then I was kind of afraid for a while to even venture into seeing any more horror movies for a really, really long time. So that was the first one that really got me. Anything that starts with “Based on a true story”… at 13 my imagination… that just blew my mind.
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I thought I was going to get needles in my eyes. I thought that the light, that fire was going to come take my ass up into space. I mean, I thought I was going to be abducted by aliens for about five years. “I was thirteen and it was one of the first sleepovers I ever had as a kid… that film was Fire in the Sky. Elisha Cuthbert returns to the horror genre in brand new Shudder Original The Cellar, which is now available to stream exclusively on the Shudder streaming service right now.Īhead of The Cellar‘s release, Bloody Disgusting’s The Boo Crew Podcast sat down with Elisha Cuthbert to reflect on some of her past roles inside the horror genre.įor starters, Cuthbert explained to The Boo Crew that her first experience with the horror genre was 1993’s Fire in the Sky, which made quite an impression on a young Cuthbert.